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May. 5th, 2008 @ 03:31 pm The Phantom Project: The Phantom of the Opera, directed by Tony Richardson
Current Mood: blah
Current Music: Flyleaf - I Can Feel You All Around Me
Wow. This version is different. Really, really different.


The Phantom of the Opera, directed by Tony Richardson, 1990
Starring Charles Dance, Teri Polo, and Adam Storke
Grade: C+


My relationship with this film was off to a rocky start quite literally out of the box. I'm trying to do my best to penny-pinch in this project, since there's so very much material to find/buy/cover, so in this particular case I had bought the Korean import DVD because it was less expensive. Of course, this means I can't read anything on the cover, but that's what IMDB is for, right? The cover certainly has the looming visage of Charles Dance on it, but when I opened it up to put it in the player, imagine my consternation to discover that the inside insert and disc art were actually those of the Darwin Knight musical DVD. Whoa, back that train up. I was very upset, especially since I already shelled out for the Knight musical and I didn't need two copies. With a heavy, sinking heart, I put it in the player to make sure, and what should greet me at the menu screen but the logos for the Andrew Lloyd Webber musical version of Phantom. Whaaaat? And then, after all that misdirection and confusion, it turned out that the film on the disc really was the Richardson/Dance movie after all.

Those wacky Koreans. Like I don't manage to confuse myself enough most days without their help.

Different can be good. )

In the end, this is a tragedy, and has almost no elements of horror. All of the "evil" elements of the original novel have been removed, even the hideous face, and that weakens the plot irreparably. I care much less about a nice guy getting killed because of a misunderstanding than I do about a man who must struggle with his own personal demons and achieve personal redemption against all odds. They're fundamentally different stories.

(Cross-posted from The Phantom Project.)
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May. 5th, 2008 @ 03:43 pm PORN. (Well, not really.)
Current Mood: sick
Current Music: Therion - Call of Dagon
First of all, I have to say that infected lymph nodes are one of the most uncomfortable, awful things that can happen to you on a Friday night. I'm still out sick, because they're trying to drill through the right side of my neck and escape. Personally, I'd rather be back at work than sitting here in misery, but John keeps saying things like "lymphoma" and "infections" and "immune system" and pushing me back into bed.

Speaking of John, we had a not-quite-an-argument, more of a scholarly-discussion-with-loud-disagreements, the other night. Basically, I was going through my list of materials, and I remarked in an offhand that the next one I had chronologically was one of those "adult" versions. And whoosh, like a volcano erupting, there came heated discussion.

Basically, John thinks I should omit the adult versions, while I think I should include them. We both had good arguments: John said that pornographic versions of the story were hardly mainstream or relevant, while I said that they were probably just as widely viewed as any of the traditional versions of the story. John said that including adult films with no guarantee of a literary basis would damage my academic credibility; I said that NOT including them out of a misguided sense of propriety would damage my academic credibility. He said that the vast majority of adult films barely have plots at all, and that it wouldn't be worthwhile for me to sit through them all when they were likely to follow no particular patterns; I said that I wouldn't know that unless I analyzed them, and that even if they were pretty plot-less, I would need to include the reasons behind that in my final analysis (since I'm supposed to be looking at the ways stories are changed in modern contexts, and the cultural reasons behind those changes). He said that nobody could possibly respect a literary paper that included adult films in its sources, and that it would bar my findings and website from enjoying as large a circulation as they otherwise might; I said that I wasn't going to be writing anything x-rated in the project, and that I didn't see why it couldn't be taken seriously in a scholarly context. He said I was a stubborn wench. I said he was pig-headed. And so on, and so forth.

So, in all seriousness, who out there has an opinion? Hit me with it. I obviously have my own, but I need more input here, and you guys have proven to have leveler heads than me some days (and those are days that I'm not sick as a dog and doped up like there's no tomorrow). Is this something that should be included in the main body of work? In a sub-section (which is my vote)? Or left out entirely?
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